Lauren Halo Dj Kicks Rar
!K7 Records is renowned as one of the most diverse labels in electronic music. Pioneers of the modern DJ mix, the label's DJ- Kicks series has released critically acclaimed and trend setting mixes for over fifteen years. Relaxing JAZZ For WORK and STUDY - Background Instrumental Concentration JAZZ for Work and Study - Duration: 2:13:09. Relax Music 4,354,071 views.
Burial
Artist: Various PerformersTitle: DJ-Kicks: Laurel HaloLabel: K7 RecordsStyle: Techno, Minimal, Detroit, Tech HouseRelease Date: Format: CD, CompilationQuality: 320 Kbps/Joint Stereo/44100HzCodec: MP3Tracks: 29 TracksTime: 01:00:39 MinSize: 141 MB01. Laurel Halo - Public Art (Mixed) 1:0902. Stallone The Reducer - Always Hate (Mixed) 2:2103.
Red Axes Feat. 5 Min (Mixed) 2:1004.
Parris - Puro Rosaceaes (Mixed) 2:0805. Rrose - Cricoid Pressure (Mixed) 2:4906. Machine Woman - Just Made Some Jazz Music (Mixed) 3:0007. Wcc - Ana (Mixed) 2:0408. Fit Siegel - Penny Rut (Mixed) 1:4009.
Laurel Halo Dj Kicks Rar
Yamaoka - Plastic Pq (Mixed) 2:3510. Siete Catorce - Canto (Mixed) 1:2111.
Facta - Poliwhirl (Mixed) 1:2412. Laurel Halo & Hodge - The Light Within You (Mixed) 2:4413. Ikonika - Bodied (Og Mix) (Mixed) 2:1314. Griffit Vigo - A.C.I.D. (Electronic Gqom Mix) (Mixed) 0:4315.
Panda Lassow - Lachowa (Mixed) 2:0316. Dario Zenker - Koraimer Bro (Mixed) 2:2017.
Final Cut - Temptation (Mixed) 3:1118. Aos - Violent Light (Mixed) 2:1519. Geoffrey Landers - Brian's Having A Party (Mixed) 1:0320. Via Maris - Side Effects (Mixed) 2:3621. Laurel Halo - Oneiroi (Mixed) 1:5722. Nick Le贸n - Pelican Dub (Mixed) 1:4023.
Stefan Ringer - Lust (Mixed) 2:1624. Kirk The Flirt - Loser (Mixed) 1:0825. Laurel Halo - Sweetie (Dj-Kicks) (Mixed) 3:3126.
Blake Baxter - Funky World (Blake Baxter Remix) (Mixed) 2:3727. Kiki Kudo - Freakey Ke Ke (Mixed) 1:1128. Group A - Ketabali (Mixed) 2:5029.
The Whitefield Brothers - Ntu (Mixed) 1:39DOWNLOADuploadgigrapidgator.
Continuous DJ mixes are odd creatures, both for the maker and the consumer. The audience is imagined for the consumer, and the environment of reception can vary considerably for the listener. In other words, the DJ can't see the massed hordes of clubgoers in front of her as she spins and weaves her mix by assessing and controlling the mood, ebbing and flowing, building up a frenzy to the point of release, any of that since we aren't there. The audience, on the other hand, is probably not going to be in a club when they hear the mix, unless they're going to a club with a very lazy DJ who isn't Laurel Halo (real name Ina Cube). They're most likely going to be hearing this on headphones, on a train or a bus, or at home, disconnected from the communal setting in which one might hope to find oneself to experience this carefully curated emotional journey.
So both sides are trying to compromise and meet somewhere in the middle.The DJ/curator is creating an imagined ecstatic experience for the listener, while the listener is retreating from the floor to the inner recesses of her mind as the mix unfurls. We both agree to simulate human interaction until we meet again in the public sphere once again.
Felt like the logical conclusion of what had come before it, almost erasing itself in a form of meditational wandering, punctuated by the tropical interlude of 'Moontalk' at its core, just as 'Chance of Rain' as the heart of that eponymous album had offered some ventilation in the midst of the encroachment of so many other elemental sounds around it. Raw Silk Uncut Wood seemed most fully to embrace the rhythm of pulse over beat, and thus to become more completely a journey into ambient jazz, for want of a better term, than anything that had preceded it.
So it was going to be interesting to see what came next, and it feels like this might be a slight return to the mixtape territory of Chance of Rain if one is looking for a point of comparison from Halo's oeuvre.Outside of her studio albums, Halo's other publicly available mixes include a FACT mix from 2011 and a Boiler Room set from 2012, which were a mixed bag in terms of their ability to purvey a fully satisfactory replication of the club experience. Naturally enough, the live Boiler Room set seemed to work more organically than the FACT mix set, which was challenging enough in places to make one wonder if one shouldn't perhaps retreat to another room altogether while some of these issues worked themselves out.Just as that 2011 FACT Mix began in challenging territory with a slightly demented version of Bach's Toccata and Fugue, Halo's DJ Kicks set begins with an original track, 'Public Art', that sounds not unlike deranged church bells but is probably some kind of treated piano. Halo has a habit of opening with keyboard curios; 2014's Chance of Rain began with 'Dr. Echt', a watery jazz meander that transitioned into the much harder 'Oneiroi'. The progression from there is a whirlwind but very well-paced tour of trends and tendencies across a plethora of genres, subgenres, rhythms and textures, and nothing that we hear last longer than three minutes before morphing into something else.The fade out of Red Axes' '5 min' and into Parris' 'Puro Rosaceae', for example, at around the five-minute mark, is a glorious generic transition from a pulsing synth that almost recalls Cabaret Voltaire to what eventually becomes a more pastoral, albeit still garage, soundscape. This kind of aural intertextuality is evidence of Halo's smarts both in terms of her knowledge of music history but also in terms of her ability to transition smoothly between ostensibly incongruous sounds and beats.